It is highly used for visual identity in corporate buildings.ĭeveloped by the graphic designer Herbert Bayer, in 1925, its conception is perceived with, timelessness, transcending time.
Indicated to punctual texts in the architectural boards, such as titles and subtitles. However, despite the visual cleaning, this font should not be used in long texts, due to the visual exhaustion provoked. Inspired by Bauhaus techniques, it uses straight lines and curves in syntony, providing balance in the textual set. Many of them are paid fonts, there is also the option to find good free fonts here. Check out our selection below:Ĭreated by Paul Renner in the 1920s, this font is a classic Modern Graphic Design. We have selected some font models used by architects, from technical drawings to diagrams. In architecture, font models are not restricted to the papers and graphic presentations of architects, but also in the composition of facades, projects of visual identity of buildings and, above all, in the use of vernacular typography by the people as a cultural manifestation in approach to the popular, revealing the need for varied expression in the different layers and poles. The correct choice of typography leads to mental logic in reading certain graphics piece, whether a drawing, text or even a scheme, an inviting act the reader through imaginary bridges between the real and the imaginary. It is worth mentioning that the importance of fonts in the graphics schemes of designers and especially of architects is fundamental in graphic communication to nonverbal reading. Within the family, there are variations between the letters (light, italic and bold), by the type of box (high – upper and lower – lowercase), by source classification, including Sans – serif (without serif), Serif (with serif), Script (cursive) and Dingbat (ornamental), in addition to numerous other identity features of the same.
Types are the designs assumed by a particular family of letters in their pattern. But among the elements that make up the boards, panels and drawings, techniques and models, there is a particular fragment that helps them in composition and identity: the font.įonts establish one of the pillars of Graphic Design and can be defined as a set of systems to the impression of types. Among them, the most common are the drawings, in a constant variety of techniques, styles, and patterns. Have you ever been stuck for hours obsessing over a font that matched your work? Before starting a project, do you already think about which font you will use? Do you get annoyed when you read an important message written in Comic Sans? Or do you feel offended when a mundane sentence is written in all caps? Rest assured, you are not alone.Īrchitects and designers constantly use graphic elements as expressive means in the schematization of their works.
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